AI.nimatic

Drag a take onto any shot to cut it in. Or choose a shot to hold it longer, redraw it from a note, or drop in your own frame.

One take covering several shots at once. It runs at its own length with its own production sound, and the cut re-times around it.

Reads the script and works out the shot list from scratch, every time you ask. This clears everything below it — frames, voices, motion, takes and cuts — and leaves you the beats to rebuild from. About a minute.

Works out who appears in the screenplay and draws each of them once, so every frame they are in is drawn from the same face. Point one at reference art below and it is drawn from that instead.

One frame per beat, drawn from the characters above and the action in the script.

A voice for every line and a narrator for the action, plus a score under the scenes that call for one. The spoken length is what sets each shot’s length in the cut.

Movement for the handful of beats where it reads — not every shot. The rest hold their drawn frame.

Assembles every frame, voice and cue — with any footage you have cut in — into one rough cut. Watch it come together on Watch.